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Saturday, April 22 • 11:15am - 12:45pm
Voice Control

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Damon Krukowski, “Music Wants to Be Free, Music Wants to Be Expensive”
Katherine Meizel, “Voice Control: Self-Identity and Agency in the Commodification of a Sampled Voice”
Elena Razlogova, “UnShazammable: Music Outside the Cloud and the Global Copyright Regime”

Moderators
avatar for Tim Quirk

Tim Quirk

Twitter | | Tim Quirk spent more than 10 years as the singer and lyricist for the punk-pop band Too Much Joy. He’s also been a regular contributor to Raygun and The San Francisco Chronicle and overseen the music programming teams for Rhapsody and Google Play. His critical essays have been published in anthologies by the Oxford University Press, Best Music Writing 2010, and the academic journal Popular Music. Tim is currently one half of an electro-pop outfit called Wonderlick... Read More →

Speakers
avatar for Damon Krukowski

Damon Krukowski

Twitter | | Damon Krukowski is a musician (Galaxie 500, Damon & Naomi) and writer. His first nonfiction book, The New Analog: Listening and Reconnecting in a Digital World will be published on Record Store Day 2017 by The New Press (New York). He is the recipient of a 2015 Creative Capital / Andy Warhol Foundation Arts Writers Grant, and in 2016 he was a Fellow at the Berkman Klein Center for Internet and Society at Harvard University... Read More →
KM

Katherine Meizel

Katherine Meizel is Associate Professor of Ethnomusicology at Bowling Green State University. She earned her doctorates in ethnomusicology and vocal performance at UCSB. Her book Idolized: Music, Media, and Identity in American Idol was published in 2011; she also wrote about Idol for Slate from 2007-2011. For Oxford University Press, she is currently co-editing a Handbook of Voice Studies, and completing her monograph Multivocality: An Ethnography of Singing on the Borders of Identity... Read More →
avatar for Elena Razlogova

Elena Razlogova

Twitter | | Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener's Voice: Early Radio and the American Public (2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). Her chapter on freeform DJs, recommendation algorithms, and the radio station WFMU was published in... Read More →


Saturday April 22, 2017 11:15am - 12:45pm
Hyatt House 201 5th Avenue N, Seattle, WA 98109